You know who doesn’t? Afro house music. While the name may sound a little strange, what is truly remarkable about this genre is the fact that there are so many artists who are using their skills in the genre. From Afro House Artists to DJ’s to Hip Hop artists, there are so many different styles and approaches. I myself am an afro house artist and I have been doing it for about 4 years now.
It takes time to practice a genre. Most artists I know, even in my industry, struggle with practice and learning to play their instrument. The time it takes to get that right is the reason why I believe my music speaks for itself and I dont try and force it to sound like anything else. I dont try and get someone to dance to my music or try and get them to play my songs.
I think as artists, we tend to get caught up in our own personal style. I really do not care what genre or style you are. I think you should just be you and make your own style. I know I do. And that is just how I feel.
Afro House is a genre I grew up listening to, and its influence has stayed with me for years. Its a genre where the musicians are Afrocentric and the music is usually inspired by the music they grew up listening to. Afro House artists such as Dada Life, Afrobeat, House of Pain, and Afro Dubstep all belong to this genre.
Afro house music is the music that has the biggest influence on Afrocentric music in general. It is a genre that has always been around since the mid-80’s. Afrocentric artists, such as Afro Beat Orchestra, DJ Kool Herc, Afrobeat, and Afro Dubstep, are just a few of the artists who are most often associated with this genre.
Afro-centric artists often incorporate various musical styles and themes into their music, which makes them more diverse and interesting than a lot of other genres. This allows them to create a sound that is more similar to the music of black people in general than other genres. Since the mid-80s, a large number of musicians have been inspired by the music of Afro-centric artists.
The term ‘Afrobeat’ was coined by Afrobeat creator Michael Schmid and his band, Afrobeat, in the mid-1990s, after a group of Afrobeat fans were inspired to “break Afrobeat, break Afrobeat, break Afrobeat” by the likes of James Bond.
The term Afrobeat was eventually also used by a few people who just liked Afro music, but the term Afrohouse was coined by the Afrobeat label itself. Afrohouse is the name of a series of live albums that were released by Afrobeat in 1995, in some countries, called Afro-House Vol. 2.
Afrohouse Vol. 2 was made up of the following albums: Afro House Vol. 1, Afro House Vol. 2, and Afrohouse Vol. 3. The first two albums featured a mostly Afro-centric sound, but the third album, AfroHouse Vol. 3, featured the first Afro-pop songs to come out of Africa, “AfroHouse” and “AfroBeat”.
Afro house music, while seemingly catchy and fun, was actually a bit of a misnomer. The Afrohouse scene was actually quite different from the typical house music scene in the USA. It was most likely more akin to drum and bass, grime, or dubstep. All of these genre’s are heavy on percussion, bass, and drum samples, and their music tends to be very loud, fast, and frenetic.
While Afrohouse was known as a house type music genre, most of the people who played it were actually members of a different community known as drum and bass. Unlike the house genre, drum and bass in the US consisted of a much more relaxed and leisure-filled musical culture. It was the scene that most of its members called home, and it was in the early days of AfroHouse that AfroHouse was made popular.
